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PAST LIVES    View Invitation

Monday, November 02, 2009  to  Thursday, December 03, 2009

PAST LIVES

Recent Video and Photography by Apichatpong Weerasethakul



Curated by Brian Curtin



Gallery Soulflower, Basement Level, Silom Galleria, Bangkok
2 September – 3 October 2009

Opening Reception and Book Launch:
Wednesday, 2 September, from 5.00pm
RSVP: Ms. Oui +662 630 0032

Gallery Soulflower is delighted to announce an exhibition of new works by the acclaimed filmmaker and artist Apichatpong Weerasethakul. A book detailing Weerasethakul’s oeuvre and edited by the art critic and curator Brian Curtin will be launched on the opening night.

Past Lives showcases a selection of videos from Weerasethakul’s current Primitive Project with a series of related photographs. Themes of memory and space, reincarnation and transformation, and the supernatural permeate the extraordinary visual rhetoric of Weerasethakul’s images. Inspired by a book written by a monk about a man who could recall his previous lives, Past Lives offers a substantial insight into the artist’s current exploration of aspects of political and cultural history in Thailand. The videos and photographs in Past Lives are based in the Thai village of Nabua, one the places the Thai army occupied from the 1960s to the early 1980s in order to curb so-called communist insurgents. Nabua is also part of a district famed for its legend of the ‘widow ghost’, a spirit that steals the souls of men as they sleep. Weerasethakul re-imagines this rural terrain in terms of memory and myth and reveals a portrait of contemporary lives illuminated by the spirits of history.

The accompanying book includes interviews by Brian Curtin and the writer Lawrence Chua and a specially commissioned essay by the Berlin-based academic Arnika Fuhrmann.



Dreaming- In Public    View Invitation

Friday, May 15, 2009  to  Monday, July 27, 2009

DREAMING IN PUBLIC
Curated by Brian Curtin


Sheba Chhachhi
Araya Rasdjarmrearnsook
Jakkai Siributr
Hema Upadhyay


Gallery Soulflower, Basement Level, Silom Galleria, Bangkok
15 May – 25 July 2009

Opening Reception and Book Launch:
Friday, 15 May, from 6.30pm
RSVP: Ms. Oui +6626300032

Her Excellency Latha Reddy, Indian Ambassador to Thailand will be The Chief Guest at the event
 the artists will be in attendance on the opening night.



DEEP STORAGE ART PROJECT Live-forever - I put your blood in the mariana trench Kristian von Hornsleth    View Invitation

Saturday, March 07, 2009  to  Saturday, March 14, 2009

DEEP STORAGE ART PROJECT
Live-forever - I put your blood in the mariana trench

Kristian von Hornsleth
DENMARK

Gallery Soulflower is delighted to announce an ambitious and provocative project by KRISTIAN VON HORNSLETH, the artist from Denmark.

Gallery Soulflower, Basement Level, Silom Galleria, Bangkok

Live Event for one day only
Please join us for cocktails and sushi

now on for one more day
Thursday 12  March 2009, from 5.00pm
RSVP: Ms. Oui +662 630 0032

The artist will be present along with a live television team from Denmark, who will document the whole process.


GIVE YOUR BLOOD AND LIVE FOREVER WITH HORNSLETH

Kristian von Hornsleth’s upcoming project "Deep Storage Project", will give all Hornsleth-lovers the opportunity to live forever.

In November 2009 a gigantic sculpture with the measures 5 x 5 x 5 meter will be put down into the 11 kilometer deep Marianer grave, between Japan and The Philippines. The sculpture, which is being made in a special resistant shape, will contain thousands of DNA samples from declared Hornsleth-lovers.

The artwork Deep Storage takes place in the idea of re-production and eternal life. Imaging that this sculpture is found by creatures of the future and that the DNA samples will be used to create new human beings. What connects these people, and what are the criteria of selection?

Another important element in Deep Storage is the impact it will have on the participants. Some of them are lying there in the scariest, dark and far away from home places in the world. Somewhere between the bottom of the sea the DNA will exist and that can become a constant source of disturbia, thoughtfulness and mind confusing for the participants.

THIS IS HOW IT WORKS

1. Give a drop-sample of one`s blood to be saved in the Deep Storage Project.
2. Sign and put another drop of your blood on a Deep Storage declaration.
3. The Declarations are signed and numbered by Hornsleth
4. The declarations are art pieces for the donor.
5. Each declaration can either be a paper certificate for free or a painting at various prices.

ABOUT THE ARTIST
Kristian von Hornsleth, born 1963, lives and works in Copenhagen. He is known for creating art about branding and identity and his paintings with his name writing across the middle is in over 1000 homes in Denmark and around the world. His Africa-project, in which an African village changed all their names to Hornsleth and in exchange received an a pig or a goat, made headlines all over the world and the village has even been visited by Prince Charles of England. Hornsleths weapon stock market work called The Hornsleth Arms Investment Project, focuses on human relations to cruelty and evil, that exist in every part of the accepted capitalism. Furthermore Hornsleth is known for his many brandings of consumer items on everything from Lamborghinis to porno films and in every sense the question of whether publicity is more important than the product itself.

There is no product, there is only marketing…
Kristian von Hornsleth

Hornsleth is collecting blood
By art historian Wolf-Günther Thiel

What does it mean when artists begin to define themselves by collecting objects, rather than creating them? Artists simulate scientific research by exhibiting things they have gathered, categorized, documented, counted, archived, stacked and stored by analogical thinking as Michel Foucault puts it. Others are documenting, counting, and archiving aspects of their lives and making objects that record these processes. Kristian von Hornsleth plays on this idea and deconstructs it by mystification of the act of archiving as well as storing the archives. The idea is to create a story like Homers Ellias and make people part of that story which people may tell in the future to understand our times from a future perspective. Hornsleth claims the position of an artist as an "Übermensch".

Kristian von Hornsleth is collecting blood and DNA of people who are dedicated Hornsleth art lovers. In earlier times of civilization we would call it a tribal ritus in order to manifest their existence in a far away mythological future: A tribal ritus of the Hornsleth tribeThe wish is the documentation of existence as deep storage of DNA as part of the individual blood proof. The technological believe in progressive natural sciences evokes the idea of another cycle of existence in a far away future. The believe is that future science can evoke the today human individual through their DNA. Hornsleth himself speaks of this possibility of a second existence. Earlier civilizations would have respected an approach like this as "übermenschlich".

Friedrich Nietzsche, the german philosopher. wrote 1883 the book: Thus Spoke Zarathustra. The book`s protagonist, Zarathustra, contends that "man is something which ought to be overcome:"All beings so far have created something beyond themselves; and do you want to be the ebb of this great flood and even go back to the beasts rather than overcome man?" Übermensch. Zarathustra first announces the Übermensch as a goal humanity can set for itself. All human life would be given meaning by how it advanced a new generation of human beings. The modern idea of all men are created equal and the base of modern idea of democratic rights are clearly contradicted by Nietzsches approach.

Another aspect of Nietzsches concepts is of importance to the understanding of Hornsleth’s "deep storage" project: The eternal recurrence of the same. We like to understand this concept like this: The eternal recurrence replaces the Übermensch as the object of serious aspiration. The Übermensch lies in the future — no historical figures have ever been Übermenschen — and so still represents a sort of eschatological redemption in some future time. This promise of being part of this future time and existence is the promise Hornsleth suggests. Hornsleth and his own created mystical mythology hints clearly at Nietzsches concepts and suggests a way out of the contemporary disasters of modern times and their human individuals. This will be documented or monumented through the "deep storage project." It will be stored at one of the deepest place on earth the "marianer grave". At the same time as it is a sign for "memento mori" it is a sign for future believes in individual existences.

Download Press Release
ICONIC SHRINE chintan upadhyay    View Invitation

Monday, February 16, 2009  to  Tuesday, February 17, 2009

Chintan Upadhyay’s paintings and 3D works have a streamlined perfection that signifies mechanical reproduction. Colors can be garish and while his artworks often appear playful they nevertheless have disturbing undercurrents. The artist focuses on particular motifs, most recently the image of babies, and includes fragmented references to local Indian culture. The affect is typically one of a brash visual overload, like advertising imagery that makes explicit an otherwise implicit vulgarity.

Upadhyay is concerned with the nature of the designed: contemporary technologies of replication. The image of the baby or infant is an appropriate symbol. It can represent innocence and is understood as typifying the natural. In Upadhyay’s terms, both these states have become obsolete in our age of globalized values and because of a pervasive sense of the simulacral. In a word, we are divorced from the realm of the real or authentic. Upadhyay renders aspects of Rajasthani miniature paintings as tattoos on some of the figures he paints to suggest history and identity are markers that are consciously worn. That is, cultural and social understandings are claimed as not emerging inevitably or naturally.

Upadhyay’s art, however, is not one of a crisis of contemporary values. And he is certainly not concerned with nostalgia for more authentic times. Rather, and like much of the best of international contemporary art, his artworks serve a critical prompt about the world we live in.


As an artist Chintan has constantly challenged the established norms having developed his own language to communicate with his audience. These works are a further exploration of this language. The works are about a merging of tradition and modernity, having influences of Shekhawati wall paintings along modern day images. The preview opens on 16 February and will be inaugurated by eminent artist Laxman Shrestha.
The Ethics of Encounter:Contemporary Art from India and Thailand    View Invitation

Saturday, August 16, 2008  to  Saturday, September 27, 2008

Ranbir Kaleka
Manjunath Kamath
Vidya Kamat
Chintan Upadhyay
Navin Rawanchaikul
Pinaree Sanpitak
Rirkrit Tiravanija
Sudsiri Pui-Ock
curated by Dr. Pandit Chanrochanakit and co-curated by Dr.Brian Curtin

Pandit Chanrochanakit is a lecturer in the Faculty of Political Science at Ramkhamhaeng University. He holds a Ph.D. in Political Science from the University of Hawai‘i at Manoa and studied on the East-West Center’s International Cultural Studies Certificate Program. Pandit’s research focuses on contemporary Thai Art and the national imaginary. He has written Thai artist biographies for the Oxford University Press’s Grove Art online.

Brian Curtin is an Irish-born art writer and curator based in Bangkok. He lectures on the International Program in Design and Architecture (INDA) at Chulalongkorn University and is a regular contributor to magazines such as Art 4D, Contemporary, Flash Art and Frieze. Brian previously curated Here, There, Now: Contemporary Art from India and From Surface to Origin: Journeys Through Recent Art From India and Thailand for Gallery Soulflower.




From Surface to Origin:JOURNEYS THROUGH RECENT ART FROM INDIA AND THAILAND    View Invitation

Friday, March 14, 2008  to  Monday, April 14, 2008

Pinaree Sanpitak
Biju Joze
George Martin PJ
Nipan Oranniwesna
Be Takerng Pattanopas
Benitha Perciyal K
curated by Dr. Brian Curtin
HERE THERE NOW: New and recent work by artists from India    View Invitation

Friday, September 28, 2007  to  Saturday, November 03, 2007

SCULPTURES,INSTALLATIONS,PHOTOGRAPHS,VIDEO,CERAMICS
ArunKumar HG
Tushar Joag
Vineet Kacker
Puspamala N
Justin Ponmany
Prajakta Potnis
Sharmila Samant
Gigi Scaria
Mithu Sen and Kumar Kanti Sen
Curated by Dr. Brian Curtin

Theming with Design SEUNG POK, CHOI    View Invitation

Monday, June 25, 2007  to  Friday, June 29, 2007


Reading Paint    View Invitation

Monday, April 09, 2007  to  Saturday, May 12, 2007


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